Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Idyllic Suburbia. Mom 'n' Apple Pie. Or not. This outrageous comedy turns suburban America on its head. Mad cow disease, Corporate Greed, Mob Mentality, the Cult of Motherhood, propaganda, discrimination, and dangerous kitchen utensils all find a home in this wild social satire.

"An investigative documentary that takes viewers inside the high-stakes business of boxing. It is an unprecedented look at the inner workings of the fight game from both sides of the ropes with access to the FBI's investigation of the International Boxing Federation and a ringside seat at the contract negotiation for the most lucrative deal in the sport's history."

Four friends grapple with aging and the march of time in this opera based on Ray Lawler's iconic Australian play. For years, cane cutters Roo and Barney (Gary Rowley and Barry Ryan) have bunked with barmaids Olive (Gillian Sullivan) and Nancy in the summer. But Nancy's moved on, replaced by newcomer Pearl (Elizabeth Campbell). Vacation's no longer the unending party it once was as each member of the quartet arrives at a new understanding of life.

A young couple struggling with an autism diagnosis faces an uncooperative school district, unproven treatments and their own emotional disconnection as they try to do what’s best for their son.

An immigration agent is torn between the job and his humanity.

The Order of Rights is a pro-life film. The story centers around Emma Stein, a pregnant single girl who has been advised by her mother to have an abortion. Despite the objection of the child's father, Ethan Carpenter, and his promise to help her, she decides to go ahead with the procedure. When Ethan and his family file a lawsuit on behalf of the child's right to life, the drama escalates as Emma's mother, Kerri, contacts a friend in the Associated Press. Before long, the case is mired in media frenzy. The court has to decide whether the child in Emma's womb is a person or not, and if so, if it is endowed with the unalienable rights as enumerated in the Declaration of Independence. The title, "Order of Rights" refers to the order in which the categories of rights are deliberately listed in the document: Life, Liberty and Pursuit of Happiness.

In a world teetering on chaos, elite assassin John Rico is the go-to solution when the government wants threats removed-quietly and permanently. But when a mission goes sideways, he's given one last shot at redemption: track down and eliminate Mason Ryker, the final ghost of the feared underground unit known as The Order of the Dragon. As Rico's mission leads him to a small, danger-ridden town in Serbia, the lines between good and evil begin to blur. Is Ryker the monster he's made out to be, or is there a deeper conspiracy at play? What begins as a black-and-white hit spirals into a moral storm-and time is running out.

In a world teetering on chaos, elite assassin John Rico is the go-to solution when the government wants threats removed-quietly and permanently. But when a mission goes sideways, he's given one last shot at redemption: track down and eliminate Mason Ryker, the final ghost of the feared underground unit known as The Order of the Dragon. As Rico's mission leads him to a small, danger-ridden town in Serbia, the lines between good and evil begin to blur. Is Ryker the monster he's made out to be, or is there a deeper conspiracy at play? What begins as a black-and-white hit spirals into a moral storm-and time is running out.